6001 - 6426 FINE ARTS - GRAPHIC ART, 16th-19th CENTURY
= From A. MOUBACH, Naaukeurige beschryving der uitwendige godtsdienst-plichten, kerk-zeden en gewoontens van alle volkeren der waereldt (The Hague, 1727).
AND 14 other large bible prints, partly after the same and C. HOET.
- Six plates (sl.) frayed; occas. sl. yellowed. Wrappers worn/ dam./ splitting on spine.
= According to the subscription conditions printed on verso of the backwr. of year 1, subscribers would receive a minimum of 48 plates per year in 12 monthly issues per year of 4 plates. A rare artist's manual.
AND a similar issue of a French drawing manual: Petit cours de Dessin. Études de Têtes. 2me Cahier (Paris, ±1840, 4 lithogr. by H.J. GOBLET after M. LEMIRE ainé, orig. (sl. soiled) wr. Plates sl. yellowed).
= Borders incl. scenes from the bible book of the Apocalypse.
- Cut on/ just outside the borderline.
AND 1 similar by the same, most likely published by the same.
- Tipped onto modern mount. Fine. = LNP 26, the 4th state of 4; Van H. 95.
- Both tipped onto mount.
= Both with the Ploos stamp on verso. LNP 40 (1st and only state) and 43, 2nd state (of 2).
ADDED: 3 others, i.a. a sl. waterstained copy of Jacob LUTMA, (A well with bucket) (etching, 14,1x12,3 cm., with "Both inv. Jacobus Lutma fecit" engr. in lower margin in the image and numb."1" below image. H. (Both) 13 and H. (Lutma) 1 (2nd state)).
- Both sl. yellowed/ waterst. and w. some tears, mainly in blank margin. "Oorlog" w. small tear in image and lower margin trimmed, affecting publisher's address.
= F.M 5622. Allegory on the Treaty of Amiens, 1802.
- Fingersoiled in margins. = Hollstein 83; F.M. 6168.
AND ±150 other portraits, various techniques (etchings/ engravings/ lithographs), various sizes, 17th-19th cent.
= Mostly Dutch. I.a. artists, military, historical figures, royalty. I.a. a mezzotint portrait of the artist J. Punt (by McARDELL after G.V. VAN DE MIJN), the priest Adriaan van Oirschot (engr. by Cornelis BLOEMAERT), centenarians (i.a. Jan Kuiper) and famous men from Haarlem.
= Provenance: the collection A.M. van den Broek.
= Hollstein 152; F.M. portretten 4652.
AND 28 other portraits, of mostly Dutch 17th century notable people, i.a. authors, nobility and theologians.
= By i.a. J. Suyderhoef, M. Mosijn, C. de Passe, A. Conradius, J. van Meurs, C. Galle. I.a. P.C. Hooft, Vondel, Anna Maria Schurman, Johannes Coccejus, Jacobus Trigland, Gerard Vossius, Jacob Cats and Samuel Ampzing.
= Hollstein 17 and 18, both first state (of 4)
AND 6 other similar large portraits, i.a. of Albert II (by Jonas SUYDERHOEFF after Pieter SOUTMAN) and of "Philippus III.us, Hispaniar. et Indiar. Rex" (by Cornelis VISSCHER after Antionio MORO).
- Pinpoint holes in corners; some foxing, especially in outer blank margins.
AND 3 engraved portraits by Nicolo NELLI of Franceso Maria Feltri, Alphonso d'Este II and Ferdinand de Valois.
- Apart from some minor defects mostly fine.
= Comprises i.a. Nicolas DE L'ARMESSIN II, "Donato Scultore Fior" (engraving, from an unknown publication, ±1660); James BRETHERTON, "Frederick Zincke/ Liotard" (engraving of Zincke with an engr. oval vignette of Liotard incorprated, ±1780); Emile BOILVIN, "Eugene Delacroix" (etching, ±1880), Edith Marie HESTER (Portrait of Emma Hamilton) (col. mezzotint, signed in pencil, w. embossed "proof" stamp, ±1912); Léopold FLAMENG, "M. Puvis de Chavannes" (engraving after Leon BONNAT, ±1880), Etienne Gabriel BOCOURT, "Camille Corot" (engraving, 1882) and Theo MOLKENBOER, (Father Van Meurs) (lithograph, signed in black pen).

























































