6001 - 6426 FINE ARTS - GRAPHIC ART, 16th-19th CENTURY
82 6101 Corvinus Johann August 1682 1738 
82 6101 Corvinus Johann August 1682 1738 
82 6101 Corvinus Johann August 1682 1738 
= Rare series with splendid engravings of richly ornamented rooms and alcoves.
82 6102 Danckerts II Cornelis 1664 1717 
- Cut just on/ outside the image.
= Very rare. Probably part of a series of the Four elements. The fashion and the headdress of the woman suggests a date around 1690. So probably made by Cornelis Danckerts II. The Rijksmuseum holds another mezzotint in very similar style, incorrectly attributed to Cornelis Danckerts I.
82 6103 Danckerts Danckert 1634 1666 
- Ample margins; trifle/ sl. foxed. = Hollstein 19-21, 1st state of 3.
Visscher, Jan de (1633-after 1682). (Pastoral landscapes). Three (of 8) etchings after Nicolaes BERCHEM, each ±24,8x34,5 cm. (borderline).
= Hollstein 108, 109, both 1st state of 2 and 112, 1st or 2nd state.
AND 2 others by the same after the same: Hollstein 105 (3rd state of 3) and 114 (later impression).
82 6104 Daumier Honoré 1808 1879 
82 6104 Daumier Honoré 1808 1879 
82 6104 Daumier Honoré 1808 1879 
82 6104 Daumier Honoré 1808 1879 
- Partly cut out from various publications; partly foxed/ browned.
= Also on thicker wove paper. I.a. from the series "Les Paysagistes" and "Les Beaux Jours de la vie" (17x).
82 6105 Davent Leon act ±1540 1556 
82 6105 Davent Leon act ±1540 1556 
- Sl. stained; left and right margin cut to the borderline.
= From the series The Fables of Calisto (Herbet 169, 176 and 178) and The Loves of Pluto and Proserpina (Herbet 161 and 167). All w. the collector's mark of Gustave-Francoise Morin (Lugt 1178) on recto in lower margin.
82 6106 David Giovanni 1734 1790 
= Newcome Schleier 19, the first state of 2, before the addition of aquatint.
AND 5 other prints, 17th to 19th cent., i.a. by Karel DUJARDIN.
82 6107 Degas Edgar 1834 1917 after 
- Small rubbed spot in left part of the image; trifle browned and foxed (mainly) in blank margins.
= After the painting now in Musée d'Orsay. On thick paper.
82 6108 Delaune Etienne 1518 1583 
82 6108 Delaune Etienne 1518 1583 
82 6108 Delaune Etienne 1518 1583 
82 6108 Delaune Etienne 1518 1583 
82 6108 Delaune Etienne 1518 1583 
82 6108 Delaune Etienne 1518 1583 
82 6108 Delaune Etienne 1518 1583 
82 6108 Delaune Etienne 1518 1583 
82 6108 Delaune Etienne 1518 1583 
82 6108 Delaune Etienne 1518 1583 
82 6108 Delaune Etienne 1518 1583 
- All sl. (finger)soiled, a few sl. browned; April lacks portion of upper decorative border and w. a few sm. stains; June upper margin cut short, w. sl. loss of image; november margins frayed, just touching the image.
= Rare series. Lacks the month of December. Almost complete series of the 12 Months, showing human activities during the specific months and each with an allegorical border. All with the collector's mark of Albert van Loock (Lugt 3751) on verso. Robert-Dumesnil 225-235; Inventaire Fonds Français 16e siècle, 200-210, probably 2nd state of 2. IFF mentions the 2nd state with the address of Ciartres but also with numbers in the right corners, not present in our copies. Perhaps an intermediate state. SEE ILLUSTRATION PLATE LXXXVI.
82 6109 Delaune Etienne 1518 1583 
- One sl. thin spot; trifle soiled.
= Robert-Dumesnil 374. With the collector's mark of George Ambrose Cardew on verso (Lugt 1134).
82 6110 Demarteau the younger Gilles 1750 1802 
- Cut on the platemark; formerly laid down w. glue residue along edges on verso; sl. soiled.
= De Lemayrie 648.
82 6111 Doetecum Joannes I van ? 1605 or/ and Doetecum Lucas van act 1554 1572 
82 6111 Doetecum Joannes I van ? 1605 or/ and Doetecum Lucas van act 1554 1572 
- Both tipped onto mount; cut just outside/ inside the borderline; sl. stained. = Hollstein 44f.
82 6112 Dolendo Zacharias 1561 ±1604 and Gheyn II Jacques de 1565 1629 
82 6112 Dolendo Zacharias 1561 ±1604 and Gheyn II Jacques de 1565 1629 
82 6112 Dolendo Zacharias 1561 ±1604 and Gheyn II Jacques de 1565 1629 
82 6112 Dolendo Zacharias 1561 ±1604 and Gheyn II Jacques de 1565 1629 
82 6112 Dolendo Zacharias 1561 ±1604 and Gheyn II Jacques de 1565 1629 
= Hollstein (Van Mander) 56-69; Hollstein (Dolendo) 10-22; Hollstein (De Gheyn family) 37-49. Hollstein 56 in 3rd state (of 3) w. the address of Jacob Colom in lower margin; all other engravings in the first state (of 2). Hollstein 56, remarks that this 3rd edition/ state was "used in Jeremias de Decker, Goede Vrijdag, Ofte het Lyden onses Heeren Jesu Christi, Amsterdam Jacob Colom, 1654." SEE ILLUSTRATION PLATE LXXXVI.
82 6113 Dou Gerard 1613 1665 after 
- Old annot. in pen and ink in upper blank margin.
82 6114 Dubourcq Pierre Louis 1815 1873 
82 6114 Dubourcq Pierre Louis 1815 1873 
82 6115 Dujardin Karel 1622 1678 
82 6115 Dujardin Karel 1622 1678 
= Hollstein 29, 2nd state of 3, with the number.
AND an etching of a title-p. by Marcus de BYE after Paulus POTTER.
82 6116 Dujardin Karel 1622 1678 
82 6116 Dujardin Karel 1622 1678 
82 6116 Dujardin Karel 1622 1678 
82 6116 Dujardin Karel 1622 1678 
= Hollstein 10, only state. On laid paper with a partial watermark showing a crowned bird.
Idem. The goats at the river. The cart in front of the inn. Two etchings from the series of 6 Small landscapes, both ±4,7x5,8 cm., "48" or "50" in the plate.
= Hollstein 48 and 50, both only state.
AND 1 other by the same: Study of heads (Hollstein 44).
82 6117 Duncker Balthasar Anton 1746 1807 
82 6117 Duncker Balthasar Anton 1746 1807 
- Ample margins; sl. agetoned and sl. grey impressions; a few foxed spots. = Rare series.
82 6118 Dürer Albrecht 1471 1528 
- Sl. fingersoiled.
= On sl. thick laid paper. Meder 154, impression from a later 17th cent. (early 18th?) edition, b (with the woodblock defects in the edges); Schoch 215.
82 6119 Dürer Albrecht 1471 1528 
- Cut on the borderline; tipped onto mount; somewhat browned; very sm. tear in upper right corner (former tipping point). Good impression.
= Meder 195, watermark 246 (dated by Meder ±1600); Schoch 173. SEE ILLUSTRATION PLATE LXXXVII.
82 6120 Dürer Albrecht 1471 1528 after 
- Fine copy.
= Mirrored copy of Schoch, Mende, Scherbaum 84 (Meder 38). There are two mirrored copies known of this print, one by Jan Wierix and the other by Jacob Binck. This copy differs from that by Wierix i.a. in that it doesn't have "Ae 14" engraved on the left side of the stone in lower left corner, the pebbles surrounding the stone are different and details of the Virgin's hair and of the mountains in the background on the right are different; the copy by Binck has Binck's monogram on the stone in lower left corner (our copy has "1518 AD").