403 - 941 FINE and APPLIED ARTS, ART REFERENCE
- Backcover sl. stained/ spotted. Otherwise (very) fine.
- Sl. foxed; final ±40 plates w. brown stain in (blank) fore edge margin. Covers sl. worn along extremities.
= Baubücher Band 4.
AND 1 other: P. BROMBERG, Practische Woninginrichting (Amst., 1938, 2nd rev. ed., ills., orig. cl.).
= One of 150 copies of the "Vorzugsauflage", with an orig. lithogr. dustwr. by the artist.
Kurz, W. a.o. (ed.). Printing into Thinking. Felix Martin Furtwängler, Folgen Suiten Zyklen. Wiesbaden, Harrossowitz Verlag, 2009, 331,(4)p., num. (col.) ills., orig. wr., folio. - AND 2 others on the same, incl. a copy of the first work without dustwr.
= Fine copy of the DELUXE edition.
AND 2 other numb. and signed DELUXE Derrière le miroir editions published by Maeght (both fine): J. PRÉVERT a.o., 5 peintres et 1 sculpteur ((ibid.), 1965, 1st ed., (single-/ double-p.) (col. lithogr.) plates and orig. wr. by G. FROMANGER, C. GARACHE, AMABLE ARIAS, MATIEU, J. GARDY-ARTIGAS and J. CAPDEVILLE, in orig. grey board chemise and slipcase, folio) and W. SPIES, Gérard Titus-Carmel Suite Narwa ((ibid.), 1978, num. (col.) plates, ills. and orig. wr. after G. TITUS-CARMEL, in orig. brown board chemise and slipcase, folio).
- Fine copy of the deluxe edition.
- Both vols. sl. foxed and w. owner's entry on upper pastedown.
AND 3 others on gardens, i.a. E. DE JONG and M. DOMINICUS-VAN SOEST, Aardse Paradijzen. De tuin in de Nederlandse kunst, 15de tot 18de eeuw (Ghent, 1996, num. (col.) ills., orig. pict. wr., folio).
= The first vol. by R. MORTENSEN w. i.a. 4 (col.) (double-p.) ORIGINAL LITHOGRAPHS loosely inserted, 2 tipped-in (col.) lithogr. plates and 1 ill. The second vol. by H. ANTES w. i.a. 6 col. (4x double-p.) and 4 monochrome (2x double-p.) ORIGINAL LITHOGRAPHS and the third vol. by HAP GRIESHABER w. i.a. 4 (col.) (double-p.) ORIGINAL WOODCUTS (2x loosely inserted on col. paper).
= Rare, no comparable publications by Gerritsen found. SEE ILLUSTRATION PLATE IX.
- No. 39/40 (sl.) yellowed; no. 98 yellowed; frontwr. of no. 65 sl. nibbled by silverfish along outer margin (not affecting contents).
= SEE ILLUSTRATION PLATE IX.
- Frontwr. sl. foxed along lower margin.
AND 2 other issues of DERRIÈRE LE MIROIR: No.209: Pol Bury. Sculptures à Cordes (ibid., 1974, (tinted lithogr.) plates/ ills. and orig. wr. by P. BURY, w. 45 rmp gramophone record in rear pocket mounted on verso of backwr., folio. Wr. trifle foxed in lower margin) and no.345: Noguchi. Ed. A. Pieyre de Mandiargues (ibid., 1981, num. (col.) photogr. ills., orig. wr., folio).
- Spine sl. worn.
= Exhibition catalogue as an artist's book in the shape of a flip-book showing Gilbert and George descending a flight of stairs.
Iidem. 'The Paintings' (with Us in the Nature). Antw., Koninklijk Museum voor Schone Kunsten, 1972, (4)p., ill., orig. wr. - AND a copy of the Stedelijk Museum ed. of the same catalogue (Amst./ Düsseld., 1971, cat. no 511).
= With SIGNED DEDICATION by both artists: "lots of love from [sign.]" and 2 orig. photographs of the artists (at the Gemeentemuseum?).
Gilbert & George. The Naked Shit Pictures. Amst., Stedelijk Museum, 1996, without pagination, 19 col. ills., orig. wr., obl. 4to.
= With SIGNED DEDICATION by both artists: "with love from [sign.]".
- Mostly w. owner's entry on upper pastedown.
- Some foxing. Wrapper sl. dampstained; some rubbed spots on backwr. along spine.
Neemt het schoone! Ibid., idem, n.d. (±1925), (8)p., ills., orig. wr. in purple and gold, sm. sq. 8vo. Het schoone wint. Ibid., idem, n.d. (±1925), 15,(1)p. (incl. wr.), ills., orig. wr. w. photomontage, sq. 8vo.
- Frontwr. trifle foxed/ stained.
AND 1 other publ. by the same.
= Nice trade-catalogues, showing designs by i.a. Copier, De Bazel, Gidding, Lebeau and Lannooy.
= From a series of postcards published by Aleksei Kruchonykh, designed by i.a. Michael Larionov and Natalia Gontcharova. Compton, Russian Futurist Books 1912-16 p.70: "Kruchonykh's postcards were printed in black and white and showed artists' drawings in various styles. They may have been in emulation of those made by World of Art artists or, possibly, of slightly later European examples. Avant-garde artists' postcards had been published by the Wiener Werkstätte and a set by Oskar Kokoschka, made in about 1908, in colour lithography, is likely to have been known in Russia".