403 - 941 FINE and APPLIED ARTS, ART REFERENCE
- Lacks part of (sunned) dustwr. at top of spine.
= Supplied in 2 copies. Handboekjes Elck 't Beste. Hoek p.766.
Berlage, H.P. Inleiding tot de kennis van de ontwikkeling der toegepaste kunst. Een cultuurstudie van dezen tijd. Rott., W.L. & J. Brusse, 1923, 77p., 26 ills. on 16 plates, orig. (sl. worn/ soiled) cl.
= Fanelli 225.
AND 6 others, i.a. A. PLASSCHAERT, Het zien van schilderijen (Arnhem, 1919, plates, orig. cl.) and 5 reprints/ modern editions by T. van DOESBURG, i.a. Mécano (Amst., 1980) and Langs de zee (Woubrugge, Avalon Pers, 1984, 80 numb. copies, orig. wr.).
- Brown offsetting on htitle and verso frontwr. Backstrip dam. at spine-ends.
= Baljeu p. 205; Fanelli 182; Hoek p.767.
Wichman, E. and Dake, C.L. "Pro en Contra" betreffende vraagstukken van algemeen belang. Nieuwe richtingen in de schilderkunst (cubisme, expressionisme, futurisme etc.). Baarn, Hollandia-Drukkerij, 1914, 32p., orig. wr.
- Upper corner sl. creased and dam.
AND a facs. reprint of H.C. ANDERSEN, Het vlas (The Hague, 1975, des. by B. VAN DER LECK, orig. wr.).
- Plates partly dog-eared in upper right corner. Owner's entry on frontwr. = Hoek p.766.
Henry, D. Der Weg zum Kubismus. München, Delphin, 1920, 1st ed., 55,(7)p., num. plates, (woodcut) ills., orig boards.
- Contents (sl.) browned and partly trifle foxed. Binding trifle worn along extremities, otherwise fine.
Berdien, J. and Harrenstein-Schräder, A. Richtingen in de hedendaagsche schilderkunst. Rotterdam, W.L. & J. Brusse, 1935, 1st ed., 149,(3)p., 37 plates w. 82 ills., orig. wr., 4to.
- Some annots. in pencil. Wr. browned; backstrip creased and dam. at spine-ends.
AND 13 others on modernist art, i.a. P. FIERENS, L'Art Hollandais contemporain (Paris, 1933, 120 plates, ills. and cover design by L. GESTEL, orig. wr., 4to); W. KANDINSKY, Essays über Kunst und Künstler (Teufen, 1955, ills., orig. cl. w. dustwr.); IDEM, Punkt und Linie zu Fläche (Bern-Bümpliz, 1955, ills., orig. wr.) and IDEM, Über das Geistige in der Kunst (Ibid., 1956, ills., orig. wr.).
- First blank and first free endpaper small brown stain in lower outer corner. Top of spine of dustwr. torn and frontwr. sl. rubbed.
= Les grandes monographies X.
= Copy of DELUXE clothbound edition with matching slipcase. This copy unnumbered.
- Wrapper trifle worn along extremities.
= Provenance: the collection of the Dutch artist Gust Romijn (1922-2010).
- Lacks orig. serigr. slipcase. Fine.
= Monod 7280; The Artist and the Book 140: "Dubuffet's illustrations here are in the manner he developed after 1962 in the HOURLOUPE series which began, according to Loreau, when the artist was drawing distractedly during a telephone call in July 1962 and which was shown in the Jeanne Bucher Gallery in 1967."
= Provenance: the collection of the Dutch artist Gust Romijn (1922-2010).
- Wrappers trifle foxed; otherwise fine.
= Provenance: the collection of the Dutch artist Gust Romijn (1922-2010).
= Complete run. Nice overview of Dutch art in the 1980's.
- Owner's entry on upper pastedown, otherwise fine.
Broos, B. and Suchtelen, A. van. Portraits in the Mauritshuis 1430-1790. The Hague/ Zwolle, Mauritshuis/ Waanders, 2004, 374p., num. col. ills., orig. cl. w. dustwr., 4to.
- Owner's entry on upper pastedown, otherwise fine.
AND 13 others on 17th century paintings, i.a. A. VAN SUCHTELEN and Q. BUVELOT, Genre Paintings in the Mauritshuis (The Hague/ Zwolle, 2016, num. col. ills., orig cl. w. dustwr., 4to).
- Portions of backstrip loose(ning) at spine-ends.
= First monograph on the artist by the famous art critic Jakov Tugendhold.
= Arntzen/ Rainwater F73: "A monumental reference work for literary historians and art historians."
= Nice lot of publications by the artist collective, who distributed their publications by mail. Comprising: DE ENSCHEDESE SCHOOL MODERNE KUNST, no.1-10 (in 8 vols., 1980-1982, periodical ed. by i.a. J. Dietvorst, K. Maas, Wim T. Schippers, B. Vermeulen, R. Zaal); KEWI UNIVERSITY OF SWING. Terracotta me, baby (LP record in sleeve); K. DE GOEDE, Tilt binnenwereld-buitenwereld (col. silkscreen LP Record, 1988, 350 copies); J. DIETVORST and M. HEFFERT, Een vooroorlogs verlangen (1982, lvs. and 15 slides in orig. wr.); K. MAAS, Tweeëntwintig kleuren (Amst., 1986, 22 silkscreen lvs., orig. wr., folio.); Y. YOUNG, Kleurloosbook (spiral bound colouring book, 1982, folio); J. VAN DE PAVERT, Villa Naispier (1986, 2 ills., printed in 300 copies, orig. wr. Together with fold. poster in plastic sleeve); K. MAAS, O .. gevleugelde verfkwast (1983, rectangular box filled with a brush, pencils and bird feathers. Used to be part of an installation by the artist in Stedelijk Museum in 1983); G. DE WILDE, box w. sm. vehicle made out of cut metal (1984); KNOLLEN VOOR CITROENEN. A X-MAS CARROT (n.pl., 1984, ills., printed in 300 copies, orig. wr., 12mo); FONDSLIJST 83/84 (loose printed cards in orig. printed board box); F. OOSTERHOFF, Harmonie d'Images (1983, ills., orig. wr.); J. DIETVORST and L. VAN DER PUT, Het Beeldhouwnummer (1983, ills., 450 copies, orig. ringbinder) and K. MAAS, Het Zwaard des oordeels (foldable wooden wall object, loosely inserted in sm. rectangular box, 1985).
- Owner's entry on first free endpaper. Boards sl. soiled, stain on spine.
= Flemish Painters in the Circle of the Great Masters, vol. 1.
Bertier de Sauvigny, R. de. Jacob et Abel Grimmer. Catalogue Raisonné. N.pl., La Renaissance du Livre, 1991, 259 (col.) ills., orig. cl. w. dustwr., folio.
- Owner's entry on first free endpaper.
AND 6 others, i.a. H. DEVISSCHER (ed.), De uitvinding van het landschap. Van Patinir tot Rubens 1520-1650 (Antw., 2004, num. (col.) ills., orig. cl. w. dustwr., 4to) and A. KOOPSTRA, Lucas Gassel van Helmond. Meester van het Landschap (Zwolle, 2020, richly illustrated, orig. pict. wr., 4to).
- Occas. wrs. trifle worn.
= Comprises i.a. Bois gravés pour un poème de Paul Eluard (1958, num. pochoir-col. ills. and orig. stiff wr. by J. MIRÓ); Hommage a Picasso (1971, num. col. ills.); Klee & Kandinsky (1959, num. (col.) ills., col. lithogr. cover after P. Klee) and F. Léger. huiles, aquarelles & dessins (1975, num. (col.) ills.). Provenance: the collection of the Dutch artist Gust Romijn (1922-2010).
- Some minor occas. defects; mostlly fine.
= Comprises i.a. J. KOUNELLIS, 'La stanza vede - The room sees' (The Hague, exhib. cat. Haags Gemeentemuseum, 1990, printed in 2750 copies); A. RAINER, Hiroshima. Group of 57 works (Bochum, M Bochum, 1982); P. STRUYCKEN a.o. Vormgeving en exacte disciplines (Utr., Rijksuniv. Utrecht, 1971); M. DUCHAMP, Manual instructions for Étant Donnés (Philadelphia, Museum of Art, 1987, num. facs. lvs.); G. VERDIJK, Schetsboek (Rott., RAM galerie, (1992)); The object transformed (New York, MoMA, 1966) and B. ROSE, Claes Oldenburg (ibid., idem, 1970). Provenance: the collection of the Dutch artist Gust Romijn (1922-2010), occas. w. his owner's stamp.
= I.a. HERBERT ZANGS, Westfalischer Kunstverein (Münster, 1974, w. contributions by i.a. Klaus Honnef and Werner Ruhnaus); MARIO MERZ, (Paris, Galerie Sonnabend, 1969); EMO VERKERK (Amst., Art & Project, 1991, printed in 500 copies); GER VAN ELK (Amst., Sted. Mus., 1975); CHARLKES SAATCHI, Be the worst you can be (London, Booth-Clibborn, 2012); MICHAEL TEDJA, A.U.T.O.B.I.O.G.R.A.F.I.E. (Amst., Vassallucci, 2003, w. SIGNED DEDICATION); ERIK ANDRIESSE, Schilderijen 1989-1991 (ibid., Zoologisch Museum, 1991, w. SIGNED DEDICATION); CALDERARA, Kunstinformatie. No.17 (Gorinchem, Kunstcentrum Badhuis, 1977); SOL LEWITT, Notes on the Wall drawings of Sol LeWitt (Genève, Salle Patiño, 1977); ULRICH RÜCKRIEM (Oxford, Museum of modern Art, 1966) and REINOUD OUDSHOORN (n.pl., the artist, 2008, w. SIGNED DEDICATION). All from the collection of Amsterdam artist Eli Content, Partly w. his owner's entry.