403 - 941 FINE and APPLIED ARTS, ART REFERENCE
= Artist periodical, containing small literary contributions i.a. by H. Savelberg and original (signed) artwork/ photographs, in various techniques, occas. loosely inserted or mounted/ tipped-in by Dutch artists, i.a. Dick Bakker, Ad Boogers, Teun Hocks, Rik van Iersel, Leon Janssen and Gaston Klein.
= Fine monograph with catalogue raisonné. Aetas Aurea Monographs on Dutch & Flemish Painting, vol. X.
Cornelis, B. a.o., Adriaen van de Velde. Dutch Master of Landscape. Amst./ London, Paul Holberton, 2016, 224p., richly illustrated, orig. boards w. dustwr., 4to. - AND 6 others on Dutch 17th cent. landscape painters, i.a. C.J. WELCKER, Hendrick Avercamp 1585-1634 bijgenaamd 'de stomme van Campen' en Barent Avercamp 1612-1679. Schilders tot Campen (Doornspijk, 1979, num. plates and ills., orig. boards w. dustwr., large 4to).
- Small tear in backwr; good copy.
- Upper hinge sl. weak; first blank loosening.
= Provenance: the collection of the Dutch artist Gust Romijn (1922-2010).
- Spine no.1. splitting.
= Very rare Flemish neo-expressionist periodical founded by Remy C. van de Kerckhove after he left the periodical Tijd en Mens. I.a. contributions by Remy C. van de Kerckhove, Herman van San and Illustrations by Paul Joostens and Rudolf Meerbergen.
- Fine copy. = SEE ILLUSTRATION PLATE VII.
- No.29/30 spine splitting.
- Wrappers nibbled by silverfish along upper margin.
AND 2 other issues of DLM, both fine: No.50. Tendances (ibid., 1952, (fold.) col. plates by PALAZUELO, orig. wr., folio) and No.117. Maeght Éditeur 1959 (ibid., 1959, (col.) plates/ ills. i.a. by G. BRAQUE, orig. col. lithogr. wr. by J. MIRÓ, folio).
- Fine copy. = Sorlier (Chagall) 297; Mourlot (Miró) no. 265.
Derriere le Miroir. No. 155. Fondation Maeght Inauguration. Paris, Maeght, 1965, (1),18,(9)p., 2 col. lithogr. plates by R. UBAC and J. MIRÓ, (col.) plates and ills., orig. wr., folio.
- Fine. = Cramer 106.
Derriere le Miroir. No. 148. La Fondation Marguerite et Aimé Maeght à St. Paul. Paris, Maeght, 1964, (1),70,(2)p., 2 (1x col.) lithogr. plates by J. MIRÓ and A. GIACOMETTI, num. (col.) plates and ills., orig. boards., folio.
- Fine copy.
= On the Picasso lithograph see Cramer, 124 and Bloch, 1847; for Miró see Cramer 87. SEE ILLUSTRATION PLATE VI.
- Spine-end(s) occas. trifle rubbed. Otherwise fine.
AND 1 other on Fondation Maeght (Paris, 1974, num. (col.) plates/ ills., orig. boards, folio).
- Fine copies.
- Very fine copy.
= Includes a bibliography of all issues of Derrière le Miroir. SEE ILLUSTRATION PLATE VIII.
- Several issues sl. age-toned/ sl. yellowed (1x browned and sl. frayed). Otherwise all fine copies.
= Consists of 4 unnumb. issues (dated "Février-Mars 1947", "Avril-Mai 1947", "Octobre 1947" and 1x without date on H. HIRSCHFELD) and no. 6-10, 15-19, 22-24, 32, 34, 41, 46, 52, 94/ 95 and 111.
- Very fine copy of the deluxe edition.
= One of 75 numb. and SIGNED copies (by Diederen and Slagter) of the deluxe "top-editie" (one of 25 numb. "E.A." copies for the artist and collaborators), kept in orig. blindstamped cl. drop-back box, w. 3 loosely inserted numb. and signed ORIGINAL COLOUR LINOCUTS and an original colour linocut as dustwr. From the library of Erik Slagter. SEE ILLUSTRATION PLATE VII.
= All but a few sent by the artist to Salco Tromp Meesters between 1972-1978.
ADDED: Idem. Psapsa bloem. Een keuze uit het grafisch werk van Geurt. Brummen, the author, 1971, no pagination, num. (full-p.) (col.) ills. by G. VAN DIJK, printed in 200 copies, orig. hcl., 4to.