403 - 941 FINE and APPLIED ARTS, ART REFERENCE
- Vague offsetting of backwr. of no. 90/91 on frontwr. of another copy of no. 90/91. Otherwise fine.
- Dustwr. sl. frayed along top, otherwise fine.
Antoni Tàpies. Basel, Galerie Beyeler, 1988, 1st ed., no pagination, num. col. ills., orig. wr. w. glassine dustwr., 4to. Eyck, Zsa-Zsa (ed.). Sigurdur Gudmundsson. Venlo, Van Spijk, 1991, 1st ed., 299p., num. (col.) ills., orig. giltlettered cl., 4to. - AND 3 others, i.a. J. VAN DER MARCK, George Segal (New York, 1975, num. (col.) ills., orig. giltlettered cl. w. dustwr., 4to).
- Some sl. foxing. Wr. sl. dustsoiled.
= With an ORIGINAL DRAWING by PAUL CITROEN tipped onto prelim. blank (pen and ink, grey wash, 14,3x9,3 cm., signed in pen and ink).
= SIGNED by the artist on title-p.
Stokvis, W. Cobra. De weg naar spontaniteit. Blaricum, V+K Publishing, 2001, 470,(2)p., 138 (double-p./ full-p.) col. ills., 247 (full-p.) monochr. ills., orig. boards, 4to.
- No.4 without the loosely inserted silkscreen by ROB SCHOLTE.
= Issue of this very rare periodical with contributions by i.a. Paul de Vree, Herman Daman, Timm Ulrichs and Herman de Vries ("permutabel tekstmateriaal", mounted envelope with pieces of paper with typescript words, with an explanation).
= All from the library of Erik Slagter.
- No. 5 without the record but with the "eskiese" gold leaf contribution by Herman DAMEN.
= Rare periodical with concrete poetry, i.a. with contributions by HERMAN DAMEN (DEMAN AH), G. BERTINI, NANNUCI, PERFETTI, TARGOWSKI, TODOROVIC, CHISTIAN WABL and HERMAN DE VRIES (No. 8 "On language"). No. 3+4 are posters.
AND 1 other on concrete/ visual poetry: H. CLAVIN, L'Angerie (Amst., 1973).
= One of the rarest and most important Belgian literary journals. Focusing on the avant-garde, it became increasingly important for visual poetry and sound poetry. This part of the periodical is important because it comprises the period when HENRI CHOPIN was on the editorial board from year 9 up to year 22. Despite the fact that it was initially published in the Dutch language, the journal attracted highly important international contributors, both literary as artistic.
- Manuscript "492" and a few tiny coffee stains on frontwr.; a few tiny tears in upper margin frontwr.
= Exhibition catalogue on visual and sound poetry organized by the Stedelijk Museum Amsterdam in 1971. Incl. poems by Augusto de Campos, Oyvind Fahlstrom, Ian Hamilton Finlay, Mathias Goeritz, Eugen Gomringer, Hansjorg Mayer, Andre Thomkins and Emmett Williams.
Williams, E. (ed.). An Anthology of concrete poetry. New York/ Stuttg., Something Else Press/ Hansjörg Mayer, 1967, 1st ed., X,342p., ills., orig. wr. - AND 6 others, i.a. G.J. DE ROOK (ed.), Anthologie visuele poëzie. Visual poetry anthology (The Hague, 1975, ills., orig. wr.).
= Very rare and almost complete run of this Belgian experimental literary quarterly from Belgium, with concrete poetry. The magazine ceased after the 2nd number of year 10. I.a. work by Max Kazan, Ivo Vroom, Leon van Essche.
= With an original SIGNED PENCIL DRAWING of a bird by the artist on the title-p.: "Corneille. Amsterdam 3 Mei 1987".
Journal de la Tour Corneille. Paris, Galilée, 1981, (96)p., num. full-p. ills., orig. stiff wr.
= With an AUTOGRAPH SIGNED DEDICATION to "Erik Slagter" on first free endpaper.
AND 4 others by/ on Corneille (incl. duplicates), i.a. by E. SLAGTER.
= One w. SIGNED DEDICATION "Dag lieve Henny. Corneille" in purple felt-tip pen on verso frontwr.
= With small ORIGINAL DRAWING in pencil and red ink on htitle, w. dedication by the artist dated "Parijs 10 februari 2004".
Donkersloot-Van den Berghe, P. Corneille. The complete graphic works 1948-1975. Amst., Meulenhoff, 1992, 1st ed., 319,(1)p., photogr. frontisp., num. (full-p.) (col.) ills., pict. endpapers, orig. cl. w. dustwr., 4to.
- Dustwr. partly sunned and w. sm. dam. at top of spine.
= English language edition of the standard catalogue raisonné; also containing an essay by Graham Birtwistle, a preface by Enrico Baj and an introd. by Michel Cassé.
- Owner's entry on first free endpaper. = Contains a catalogue raisonné.
Perez-Tibi, D. Dufy. London, Thames and Hudson, 1989, 335p., 379 (fold./ full-p.) (col.) ills., orig. cl. w. dustwr., folio. - AND 5 others on modern artists, i.a. R.V. GINDERTAEL, Hans Hartung (Paris, 1960, num. (col.) ills., orig. gilt cl., 4to) and J.J. SWEENEY, Soulages (Neuchatel, 1972, num. (full-p./ col.) ills., orig. cl. w. dustwr., 4to).
- Fine copy. = Vicaire II, 9.1055.
- Partly sl. foxed. Wrappers chipped and sl. worn; backstrip worn off at spine-ends.
= Fine Dutch Art Nouveau publication, rare in its original wrappers. Braches 360; Cat. Ned. Boek 16.
- Corners and spine rubbed
= Fine Dutch Art Nouveau publication. Braches 360. Interesting detail: the colours used on the binding are sl. different from the first edition: the leather is brown (instead of black) and the paper over the covers is grey instead of brown. With loosely inserted a drawn certificate in Art Nouveau style (pen and col. ink and watercolour, 21x16 cm.).
= Published as a new year wish. Without the invitation leaf for the opening of the exhibition De wereld is a cremertorium at Galerie 207.
Cremer, J. (ed.). Jan Cremer Krant. No.1-4. N.pl., 1967-1978, 4 vols., (col.) ills., orig. not wr., folio. - AND 1 other.