= Global Avantgarde Latvia 5. Provocative poetry by female avant-garde poet and women's rights activist Lucija Zamaič.

= Global Avantgarde Latvia 8. Provocative poetry by female avant-garde poet and women's rights activist Lucija Zamaič.

= Global Avantgarde Croatia | Serbia | Slovenia 10 (printed on pink paper). Extremely rare advertising leaflet for no.10 of the Croation avant-garde periodical Zenit (cf. Le Fonds Paul Destribats 165). The text reading: "Zenit/ East → West Huuuurrrrraaaa! Read! Number 10 Zenit Read! Don't be stupid. You have to become a Zenitist (...)".

- Two tiny tears and sm. crease in upper margin. = Anonymous, typical 1930s Dutch modernist design.

- Wrappers sl. worn. = Soviet women's magazine.

- Fine, with only a few very vague handling creases.

= Monguzzi p.29; Brentjens p.157; Müller p.35 ("Piet Zwart's only [sic] free form typo-composition"); Purvis, col. ill. between p.122/123; Spencer '83, p.42; Andel p.209. "In 1925 Zwart produced for his own amusement a number of purely abstract compositions, which, like many of his advertisements, were composed on location at the printer. One, based on diagonals, clearly shows the Lissitzky influence. The use of color overprinting will later become a distinguishing ingredient in his work. These compositions reflect the same approach as the advertisiments, but not being bound to texts, they move a step further into abstraction" (Purvis, p.69); "In zijn vrije uren in Parijs houdt Piet Zwart zich bovendien bezig met enkele abstracte typografische composities, vrije werken die de invloed van Lissitzky en Mondriaan verraden (...). De studie, Hommage à une jeune fille uit 1925, zou geïnspireerd zijn op een kortstondige flirt in Parijs (...). Een vervolg krijgen deze beeldende expressies echter niet. 'Vrije composities', zo erkent Zwart later, 'lagen niet in mijn lijn; ik kon ze (...) immers zelf niet zetten en drukken; vrij experimenteren met zetmateriaal lag buiten mijn bereik'." (Brentjens p.156). SEE ILLUSTRATION PLATE