1312 - 1725 FINE PRINTING and ILLUSTRATED BOOKS (including CARICATURE)
= C. ANDRIESSEN, (Untitled)/ (Untitled) (2 tinted (in red and in grey-blue) woodcuts, 55,7x18/ 33x39 cm., atached to paper mounts, both woodcuts signed, dated "1998" and numb. in pencil), each with autograph signed poem by ANNA ENQUIST ("Excursie I " and "Excursie II");
H. ANDRINGA, "Even"/ "De merel" (2 etchings with some watercolour, both 27x20,7 cm., both etchings signed, dated, numb. and "ets/ aquarel" in pencil), each with autograph signed poem by EVA GERLACH ("Ontwaken" and "Even");
S. BAKKER, (Untitled)/ (Untitled) (2 col. etchings with aquatint, both ±28x15,7 cm., both etchings signed "Ed. Sjoerd Bakker", dated and numb. in pencil, with artist's stamp in red), each with autograph signed poem by TH.A. SONTROP ("Wat wit is, rond en kwetsbaar (...)" and "Wie rood is, zwaar gepanserd (...)");
D. CASSÉE, (Untitled)/ (Untitled) (2 col. screenprints, each 49,7x14,7 cm., screenprints attached to paper mount. signed "Cassée 98" and numb. in pencil on the mount), each with autograph signed poem by HENK J. BERNLEF ("Kleuren tussen alle kleuren in (...)" and "De bleke berk staart ontbladerd (...)");
H. GORDIJN, (Untitled)/ (Untitled) (2 etchings in brown, 29,7x23,3/ 29,2x23,6 cm., both etchings signed "Herman Gordijn" and numb. in pencil), each with autograph signed poem by GERRIT KOMRIJ ("Alles blijft" and "Waar ik van hou");
D. VAN HAL, "De komst van de Koning"/ "Nikè" (2 col. relief prints, 27,5x16/ 26,8x16 cm., both signed "Diana van Hal 98", titled and numb. in pencil), each with autograph signed poem by JAN EIJKELBOOM ("De komst van de Koning" and "Nikè (fragment)");
F. DE JONG, (Untitled)/ (Untitled) (2 col. stencilprints, both 49x31,5 cm., both prints signed "Frans de Jong" and numb. in pencil), each with autograph signed poem by RUTGER KOPLAND ("Het dal" and "Een zeug vertelt");
R. LUCASSEN, "Praag Bild 998"/ "Prg en Bild 2 998" (2 etchings, both 28,3x21,6 cm., both etchings signed, "Lucassen 98" and numb. in pencil, both titled in the plate), each with autograph poem by H.H. TER BALKT ("De houtkist" and "Tycho Brahe");
T. NIERMEIJER, (Untitled)/ (Untitled) (2 watercolours/ gouaches, both 56x39,8 cm., both monogrammed "T.N.'98" in pencil), each with autograph signed poem by SIMON VINKENOOG ("Op mijn handschrift" and "Intiem");
R. NIJBURG, "Het slotakkoord"/ "Dubbele grote morgen" (2 handcol. etchings, both ±17,7x23,5 cm., both etchings signed "Rinke Nijburg", both titled, "1998" and numb. in pencil), each with autograph signed poem by REMCO CAMPERT ("Schietgebed" and "Is het er?");
V. VAN OJEN, (Untitled) (Untitled) (2 col. woodcuts, both 37x27,2 cm., both woodcuts signed "v Ojen 98" and numb. in pencil), each with autograph signed poem by ED LEEFLANG ("Donor" and "Van onbekend merk");
W.T. SCHIPPERS, (Untitled)/ (Untitled) (2 col. serigraphs (1x w. collage), 40,1x28/ 41x29,2 cm., both attached to mount and both prints signed "Wim T. Schippers", dated and numb. in pencil), each with autograph signed poem by HUGO CLAUS ("D'r" and "Polonaise");
R. TOLMAN, (Untitled)/ (Untitled) (2 col. etchings with aquatint, both 23,5x20 cm., both etchings signed "Roland Tolman", dated and numb. in pencil), each with autograph poem by ESTHER JANSMA ("Raam in de lucht" and "Europa");
F.M. WOUDSTRA, (Untitled)/ (Untitled) (2 col. etchings, 39,2x24,8/ 38,9x24,7 cm., both etchings signed and numb. in pencil), each with autograph signed poem by KEES VAN KOOTEN ("Verrekijken" and "Zien te bekijken"). SEE ILLUSTRATION PLATE XLIII.
- Bookplate on first blank. Bookblock loosening; wr. sl. sunned along margins.
= Rare. Contains contributions by i.a. Herman Berghuis, Hanneke Sterk, Hester Verkruissen en Pim Witteveen.
Warmoes in hout, op steen, in zink, uit lood & op zeef. Ibid., idem, 1993, 5 letterpress lvs. (title [in 2 copies], colophon and 2 index lvs.) and 31 lvs. (incl. cover leaf) w. contributions in various techniques, partly signed in pencil, printed in 50 copies, loose as issued in orig. plain cl. dropback box, 4to.
- Box sl. dustsoiled.
= Contains contributions by i.a. Anne van Borselen, Albert Bouma, Dick Ronner, Antje Veldstra, Hester Verkruissen and Pim Witteveen.
Warboek. Ibid., idem, 1996, 5 letterpress lvs. (htitle, title, colophon and 2 index lvs.) and 29 lvs. w. contributions in various techniques, partly signed in pencil, printed in 50 copies, loose as issued in orig. plain cl. dropback box, 4to.
= Contains contributions by i.a. Albert Bouma, Marlies Louwes, Hester Verkruissen and Pim Witteveen.
= One of 50 Roman numb. copies. Playful "typespecimen" of the typographical material present in the Graifsch Centrum Groningen, printed by 25 Dutch private presses connected with it. Contains contributions by i.a. Albert Bouma, Elze ter Harkel, Peter Lazarov, Dick Ronner, Antje Veldstra and Pim Witteveen.
- Occas. sl. foxed; approx. 12 lvs. repaired in outer margins; a few lvs. (incl. one plate) w. sm. marginal tear; 2 lvs. loose. Covers sl. rubbed.
= Cf. Gumuchian 2799 (1st ed., Paris 1847); cf. Carteret III, p.286; cf. Vicaire III, p.133; Brivois 147; Lipperheide Ub 15 (all Paris eds.); Ray, p.268-279: "By preference, however, he still turned towards the strange and wonderful images that came to him during the night, images reflected in his two final volumes of phantasies, both illustrated with colored steel engravings, Les fleurs animées and Les étoiles." Adhémar, Introd. l'Oeuvre graphique (1975), I, 7: "a large part of modern art, from expressionism to surrealism, has come from his images".
- Htitle mounted onto first free endpaper; a few lvs. sl. foxed/ soiled. Corners worn; upper joint splitting at foot of spine.
= Cf. Gumuchian 2799 (1st ed. Paris, 1847); Vicaire III, p.133-135; Brivois 147; Carteret III, p.286 (earlier eds.); Ray, p.268-279: "By preference, however, he still turned towards the strange and wonderful images that came to him during the night, images reflected in his two final volumes of phantasies, both illustrated with colored steel engravings, Les fleurs animées and Les étoiles." Adhémar, Introd. l'Oeuvre graphique (1975), I, 7: "a large part of modern art, from expressionism to surrealism, has come from his images".
- Trifle foxed. Spine-ends sl. worn.
= With a SIGNED dedication by the author to Sander Stols: "Voor Sander, dit boekje schamel afstekend bij de vorstelijke drukwerken, welke hij mij altijd gaf en geeft. Jan. '33."
- Covers sl. discoloured; backcover sl. stained along upper edge.
= One of 25 DELUXE numbered copies on "Hollands velijn" (this copy numbered 2).
AND a copy of the same work, 1924, 1st ed., 131,(5)p., orig. cl.
- Endpapers sl. yellowed, otherwise fine. Cover mentions 1924 as year of publication, 1925 according to title-p.
- Sm. mark in ballpoint in margin of p.12. Frontcover faded.
= Lang 44. From the library of ARMANDO (with his owner's entry on first free endpaper).
- Spine sunned. = Halcyon Presse 3. Van Dijk 212.
Villon, F. Les oeuvres. Les Lais/ Le Testament/ Poésies diverses/ Le Jargon. Maastr., A.A.M. Stols, 1929, 150,(2)p., titles and initials by J. VAN KRIMPEN, printed in black and red in 15th cent. gothic type by J. ENSCHEDÉ EN ZONEN in 140 numb. copies (125), orig. giltlettered hvellum w. orig. wr. bound in, 4to.
- Covers sl. worn at corners. = À l'enseigne d'Alcyon 3. Van Dijk 197.
Idem. Les oeuvres. Les lais, Le testament, Poésies diverses, Le jargon. The Hague, idem, 1942, 144,(8)p., printed in black, red and blue in 327 numb. copies by BOOSTEN & STOLS, orig. hvellum w. orig. wr. bound in, t.e.g., large 8vo.
= À l'enseigne de l'Alcyon 10. Van Dijk 589; De Jong 871.
AND 2 other Halcyon editions, both French text: Van Dijk 333 (orig. wr.) and 782 (orig. cl.).
- Joints split(ting); backstrip worn. Contents fine
= Van Dijk 256; Buckland Wright A2. One of 100 Roman numb. copies printed on Pannekoek, bound in contemp. giltlettered hmor., orig. wr. pres.
- Endpapers trifle yellowed/ foxed. Binding foxed along extremities and (inevitably) warped.
= Halcyon Press 12. One of a few DELUXE copies bound in full limp vellum w. gilt Halcyon Press vignette on frontcover, signed by the publisher on the colophon. Van Dijk 484; The Ideal Book p.109f.
- Frontcover mouldy in left margin. Contents fine.
= Monod 5824. Bilderwelt 2647: "Die Erstausgabe erschien 1913 und brachte Hansi eine Verurteilung durch die deutschen Behörden ein. In der Tat machte sich der Autor in seiner Bilderbüchern, die das Elsaß hervorheben, zum Wortführer eines elsässischen Patriotismus, der die deutsche Besatzung bekämpfte".
= Published on occasion of the 60th birthday of Elze ter Harkel (De Vier Seizoenen). Contains contributions by i.a. Augustijn Pers, Avalon Pers, De Breukenpers, Eikeldoorpers, Helicon-Pers, Frans de Jong, Koekanger Handpers, Mikado Pers, Statenhofpers, Triona Pers, De Uitvreter and Hester Verkruissen.
- Five lvs. (sl.) yellowed along edges. = Janssen/ Van Stek 349.
- Spines sl. sunned; spine-ends sl. rubbed. = Deluxe copy.
- Bookplate on upper pastedown. Spine-ends and corners sl. worn; joints partly split; backcover worn spot and a few sm. stains.
= Attractively bound.
- Covers trifle soiled.
= With orig. wrap-around slip: "The overall design of this Bible [in the New Revised Standard Version] is based on (...) [the] Urbino Bible, completed in 1478."