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736 - 1327     FINE and APPLIED ARTS, ART REFERENCE

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80 1156 Photography Singh D 80 1156 Photography Singh D
80 1156 Photography Singh D 80 1156 Photography Singh D
80/1156 [Photography]. Singh, D. Sent a Letter. Göttingen, Steidl, 2007, 7 vols., all leporellos, photogr. plates by DAYANITA SINGH, orig. unif. wr., 12mo, together in orig. lidded cl. box., designed by D. SINGH and G. STEIDL.

= Photographic diaries of travels in 7 different parts of India.

€ (100-150) 130
80 1157 Photography Snow D 80 1157 Photography Snow D
80 1157 Photography Snow D 80 1157 Photography Snow D
80/1157 [Photography]. Snow, D. Gang Bang at Ground Zero. N.pl., the artist, 2007, (148)p., (photogr.) ills. and layout by DASH SNOW, entirely xeroxed, loose without binding.

= Parr/ Badger III, p.100: "There is a succession of photographers who have photographed the hedonistic lifestyle (...) but Dash Snow did it with the most panache. This is perhaps because he actually lived the life to the full. Most photographers who capture the sex and drugs scene maintain a certain distance. They have to, or the work suffers. But Snow's art was his life, to a unique extent. Born into a wealthy family he kicked his background in the teeth, becoming the black sheep of the family. Snow tragically died of a drugs overdose in 2009, at the age of twenty-seven".

€ (100-150) 100
80 1158 Photography Snow D 80 1158 Photography Snow D
80/1158 [Photography]. Snow, D. I'd rather drink muddy water and sleep in a hollow log. Berlin, Contemporary Fine Arts, 2007, no pagination, num. (col.) photogr. ills., printed on black paper, layout by DASH SNOW, orig. wr., narrow 8vo.

= Parr/ Badger III, p.100: "There is a succession of photographers who have photographed the hedonistic lifestyle (...) but Dash Snow did it with the most panache. This is perhaps because he actually lived the life to the full. Most photographers who capture the sex and drugs scene maintain a certain distance. They have to, or the work suffers. But Snow's art was his life, to a unique extent. Born into a wealthy family he kicked his background in the teeth, becoming the black sheep of the family. Snow tragically died of a drugs overdose in 2009, at the age of twenty-seven".

€ (200-300) 275
80 1159 Photography Struving F and Keuken J van der ed 80 1159 Photography Struving F and Keuken J van der ed
80/1159 [Photography]. Struving, F. and Keuken, J. van der (ed.). After-image. Nabeeld. Amst., Fragment, 1991, 183p., num. (full-p.) photogr. ills. by J. VAN DER KEUKEN, orig. pict. cl. w. transparent dustwr., folio. Keuken, J. van der. Achter glas. Text R. Campert. Hilversum, C. de Boer Jr., 1961, 2nd ed., (100)p., num. photogr. ills. and orig. wr. by JOHAN VAN DER KEUKEN, 4to.

- Wrappers sl. worn along extremities. = Cf. Parr/ Badger I, p.244.

Idem. Wij zijn 17. Introd. S. Carmiggelt. Bussum, C.A.J. van Dishoeck, n.d. (±1960), 4th ed., no pagination, photogr. plates and orig. wr. by J. VAN DER KEUKEN.

- Wrappers trifle worn. = Parr/ Badger I, p.244 (1st ed., 1955).

AND 6 others by/ on the same, i.a. Paris mortel. Retouché (Amst., 2013, num. full-p. ills., orig. wr. w. dustwr., 4to); Quatorze Juillet (ibid., 2010, num. full-p. ills., orig. wr. w. dustwr., 4to) and Bewogen beelden (Breda, 2001, num. col. ills., orig. boards. w. dustwr., obl. 4to).

€ (120-150)
80 1160 Photography Sturges J 80 1160 Photography Sturges J
80 1160 Photography Sturges J 80 1160 Photography Sturges J
80/1160 [Photography]. Sturges, J. The Rollei Project. Produced by Duncan Meeder. Lisse, Foto Henny Hoogeveen, 2013, 104,(6)p., photogr. ills. by J. STURGES, English and Japanese text, orig. dec. rexine, sm. folio. Gibson, R. Mono. Produced by Duncan Meeder. N.pl., Lustrum Press, 2013, 120p., photogr. ills. by R. GIBSON, English and Japanese text, orig. pict. cl., slipcase, folio. Schroeff, H. van der (ed.). Ayrton Senna Sempre by Ian Berry. N.pl., AFL international, 2015, 79,(1)p., richly illustrated, orig. cl., folio.

= On the art project by Ian Berry, who created a very large portrait of legendary Formula 1-race driver Ayrton Senna out of denim, donated by family members of Senna.

€ (70-90)
80 1161 Photography Vishniac R 80 1161 Photography Vishniac R
80 1161 Photography Vishniac R 80 1161 Photography Vishniac R
80 1161 Photography Vishniac R 80 1161 Photography Vishniac R
80/1161 [Photography]. Vishniac, R. The vanished world. Jewish cities - Jewish People. Ed. R. Abramovitch. New York, The Forward Assocation, 1947, 575,(7)p., num. photogr. ills. i.a. by R. VISHNIAC, orig. cl. w. mounted woodcut plate on frontcover. obl. 4to.

- Hinges weak; endpapers yellowed. Spine sunned.

= Parr/ Badger II, p.215: "A superb, if forlorn, collection of documentary photographs of Jewish life in Eastern Europe." A rare early post-war portrayal of the Jewish communities in East-Europe within the context that they were destroyed.

€ (100-150) 100
80 1162 Photography Vorobeichic M 80 1162 Photography Vorobeichic M
80/1162 [Photography]. Vorobeichic, M. Ein Ghetto im Osten (Wilna). Introd. S. Chneour. Zürich/ Leipsic, O. Füssli, 1931, 7,(2)7p., 64 photogr. plates by M. VOROBEICHIC, German and Hebrew text, orig. clothbacked boards, sm. 8vo.

- Owner's entry on first free endpaper; occas. sl. foxed. Corners showing.

= Schaubücher 27. Parr/ Badger I, p.130: "In the same year that his Paris was published, Moï Ver - under his real name of Moshé Vorobeichic - produced Ein Ghetto im Osten (...). Once again, he used a variety of New Vision strategies, the most obvious being to take many images from upstairs windows looking on to the narrow streets of Vilnius's old Jewish quarter. (...) He also introduced cinematic cutting and montaging techniques to heighten the interest. He combined elements of imagery, sometimes by double-printing negatives, sometimes by repeating identical or similar pictures, sometimes by pasting different photographs together, often with self-conscious free-form edges".

€ (100-150) 180
80 1163 Photography Wessing K 80 1163 Photography Wessing K
80 1163 Photography Wessing K 80 1163 Photography Wessing K
80 1163 Photography Wessing K 80 1163 Photography Wessing K
80/1163 [Photography]. Wessing, K. Chili September 1973. Amst., De Bezige Bij, (1973), (48)p., photogr. ills. by KOEN WESSING, orig. wr., 4to.

- Wrappers yellowed.

= Parr/ Badger p.229: "Despite the difficulties of taking photographs in such a tense and difficult situation [the military coup of 1973 in Chili], Wessing never forgets the value of composition and lighting control. The main thrust of the book is the coup's immediate aftermath, the shock and grief of the people, the rounding up of Allende's supporters (or suspected supporters) by the army, and their herding into the now notorious National Stadium in Santiago, where many would be tortured and killed. Wessing vividly captures one of these executions, in a two-page squence that forms the book's climax."

€ (150-250) 230
80 1164 Photography Wilmering L 80 1164 Photography Wilmering L
80/1164 [Photography]. Wilmering, L. I'd rather be with you. Haarlem, the author, 2002, no pagination, num. full-p. photogr. ills., orig. pict. boards.

= SIGNED by the author.

AND 1 similar by the same: Promise me something (ibid., 2002, num. full-p. photogr. ills., orig. pict. boards. SIGNED)

€ (40-60)
80 1165 Photography Yamamoto Masao 80 1165 Photography Yamamoto Masao
80/1165 [Photography]. Yamamoto, Masao. É. Tucson, Nazraeli Press, 2005, (34)p., num. (col.) ills., printed in 2500 copies, orig embossed cl. w. dustwr., folio.

- Dustwr. trifle frayed.

€ (30-50) 60
80/1166 Photomontage Bij en Korf Year 1 80/1166 Photomontage Bij en Korf Year 1
80/1166 Photomontage Bij en Korf Year 1 80/1166 Photomontage Bij en Korf Year 1
80/1166 Photomontage Bij en Korf Year 1 80/1166 Photomontage Bij en Korf Year 1
80/1166 [Photomontage]. Bij en Korf. Year 1. (The Hague), De Bijenkorf, 1933, 12 parts in 1 vol., ills., orig. gilt mor., all orig. wr. pres., partly w. photomontage by i.a. J.A. VERMIJS, a.e.g.

- Binding sl. stained and rubbed. = Employee magazine of De Bijenkorf.

€ (70-90)
80 1167 Photomontage Doolaard A den 80 1167 Photomontage Doolaard A den
80 1167 Photomontage Doolaard A den 80 1167 Photomontage Doolaard A den
80 1167 Photomontage Doolaard A den 80 1167 Photomontage Doolaard A den
80/1167 [Photomontage]. Doolaard, A. den. Van camera, ski en propeller. Filmavonturen en Ski-onderricht in het Mont-Blanc-gebied. Amst./ Mechelen, De Spieghel/ Het Kompas, n.d. (1930), 1st ed., 101,(1)p., num. photogr./ photomontage plates and dustwr. by W. RIML, ills., orig. boards, sm. 4to.

- One leaf w. tear; occas. trifle foxed. Dustwr. sl. frayed. = Rare. SEE ILLUSTRATION PLATE XXXIV.

€ (80-100) 110
80/1168 Photomontage Filmliga Onafhankelijk maandblad voor filmkunst Year 7 no 1 and 2 80/1168 Photomontage Filmliga Onafhankelijk maandblad voor filmkunst Year 7 no 1 and 2
80/1168 [Photomontage]. Filmliga. Onafhankelijk maandblad voor filmkunst. Year 7, no.1 and 2. Rott., Nijgh & Van Ditmar, 1934, 2 issues, ills., orig. photomontage wr. by C. OORTHUYS, 4to.

- Frontwr. of no.1 w. tiny marginal tear.

= Interesting magazine, edited by L.J. Jordaan, G.H. Knap and H. Scholte. Maan, Paul Schuitema visual organiser: "The Rotterdam Filmliga occupied an important place in the cultural life of the city around 1930. The Dutch Film Liga had been set up in 1927 as a result of the ban on showing the Russian film The Mother by the Russian avant-garde filmmaker Pudovkin in public. The Dutch filmmaker Joris Ivens therefore ran the film at three private showings in Amsterdam. A month later, the Amsterdam Filmliga was an accomplished fact."

AND 1 other w. orig. photomontage wr. by C. OORTHUYS: Het ontwaken van Azië (Amst., 1932, ills., sm. 4to).

€ (50-70) 50
80 1169 Photomontage Glaeser E and Weiskopf F C 80 1169 Photomontage Glaeser E and Weiskopf F C
80 1169 Photomontage Glaeser E and Weiskopf F C 80 1169 Photomontage Glaeser E and Weiskopf F C
80 1169 Photomontage Glaeser E and Weiskopf F C 80 1169 Photomontage Glaeser E and Weiskopf F C
80 1169 Photomontage Glaeser E and Weiskopf F C 80 1169 Photomontage Glaeser E and Weiskopf F C
80 1169 Photomontage Glaeser E and Weiskopf F C 80 1169 Photomontage Glaeser E and Weiskopf F C
80 1169 Photomontage Glaeser E and Weiskopf F C 80 1169 Photomontage Glaeser E and Weiskopf F C
80/1169 [Photomontage]. Glaeser, E. and Weiskopf, F.C. Der Staat ohne Arbeitslose. Drei Jahre "Fünfjahresplan". Berlin, G. Kiepenheuer, 1931, VIII,198,(2)p., 265 photogr. ills., orig. wr. w. photomontage dustwr. by JOHN HEARTFIELD, 4to.

- Dustwr. laid down on silver paper/ frayed/ sl. chipped. = Kerssemakers 2147.

AND 3 others w. photogr./ photomontage (dust)wr. by the same: K. PLÄTNER, Eros im Zuchthaus (Berlin, 1929. Backwr. loose); Sinclair, U., Jimmie Higgins (Berlin, n.d. (1928)); M. Gorki, Die Mutter (Berlin, 1927. Dustwr. lacks tiny part). Herzfelde, W. John Heartfield. Leben und Werk, dargestellt von seinem Bruder. Dresden, VEB, 1962, 3rd ed., 385(3)p., num. (col.) ills., orig. cl. w. dustwr. by JOHN HEARTFIELD, 4to. - AND an issue of Lilliputt with an article on Heartfield's photomontage: A Master of political art (1939, 464-472p., ills., orig. wr.).

€ (120-150) 120
80 1170 Photomontage Oorthuys C 80 1170 Photomontage Oorthuys C
80 1170 Photomontage Oorthuys C 80 1170 Photomontage Oorthuys C
80 1170 Photomontage Oorthuys C 80 1170 Photomontage Oorthuys C
80/1170 [Photomontage]. Oorthuys, C. Spanje. N.pl. (Amsterdam), n.publ. (commissie "Hulp aan Spanje"), n.d. (1937), (24)p. (incl. wr.), typography, photomontage ills. and orig. wr. by C. OORTHUYS.

- Contents occas. sl. foxed. Wrappers loosening; trifle frayed and w. vague oblique fold.

= Very rare.

€ (200-300) 275
80 1171 Photomontage Sluyser M 80 1171 Photomontage Sluyser M
80/1171 [Photomontage]. Sluyser, M. Joden in nood! Introd. H. Polak. Amst., De Arbeiderspers, 1932, 76p., 8 photomontage plates and orig. wr. by L. ALTHOFF, large 8vo.

- Upper joint and spine strengthened w. sellotape; bookblock sl. warped; wr. sl. stained.

= SEE ILLUSTRATION PLATE XXXIV.

€ (150-250)
80/1172 Photomontage Lot of 14 dustwrappers with photomontage designs 80/1172 Photomontage Lot of 14 dustwrappers with photomontage designs
80/1172 Photomontage Lot of 14 dustwrappers with photomontage designs 80/1172 Photomontage Lot of 14 dustwrappers with photomontage designs
80/1172 Photomontage Lot of 14 dustwrappers with photomontage designs 80/1172 Photomontage Lot of 14 dustwrappers with photomontage designs
80/1172 Photomontage Lot of 14 dustwrappers with photomontage designs 80/1172 Photomontage Lot of 14 dustwrappers with photomontage designs
80/1172 Photomontage Lot of 14 dustwrappers with photomontage designs 80/1172 Photomontage Lot of 14 dustwrappers with photomontage designs
80/1172 Photomontage Lot of 14 dustwrappers with photomontage designs 80/1172 Photomontage Lot of 14 dustwrappers with photomontage designs
80/1172 [Photomontage]. Lot of 14 dustwrappers with photomontage designs, by various (unidentified) designers, mainly first half 20th cent.

- Occas. w. (sm.) defects.

= I.a. for H.J. van Braambeek, Lichten en schichten (n.pl., 1936, unidentified designer, 4to); H.R. Knickerbocker, De roode handel dreigt! (Leyden, 1932, des. by H.JR.); H.C. Pieck, Zwart en wit uit het roode Rusland (Amst., 1930, unidentified designer, 4to) and J. Brouwer, Spanje (Rott., 1939, des. by F. DUPONT).

ADDED: ±85 others, for the largest part orig. book covers (mainly) designed by Dick Bruna (1955-1975, limp boards, part of the series Zwarte Beertjes, a few photomontage designs).

€ (80-100)
80/1173 Photomontage Lot of 22 vols with photomontage covers 80/1173 Photomontage Lot of 22 vols with photomontage covers
80/1173 Photomontage Lot of 22 vols with photomontage covers 80/1173 Photomontage Lot of 22 vols with photomontage covers
80/1173 Photomontage Lot of 22 vols with photomontage covers 80/1173 Photomontage Lot of 22 vols with photomontage covers
80/1173 Photomontage Lot of 22 vols with photomontage covers 80/1173 Photomontage Lot of 22 vols with photomontage covers
80/1173 Photomontage Lot of 22 vols with photomontage covers 80/1173 Photomontage Lot of 22 vols with photomontage covers
80/1173 Photomontage Lot of 22 vols with photomontage covers 80/1173 Photomontage Lot of 22 vols with photomontage covers
80/1173 Photomontage Lot of 22 vols with photomontage covers 80/1173 Photomontage Lot of 22 vols with photomontage covers
80/1173 Photomontage Lot of 22 vols with photomontage covers 80/1173 Photomontage Lot of 22 vols with photomontage covers
80/1173 [Photomontage]. Lot of 22 vols. with photomontage covers, i.a. L. SZÉKELY, Van oerwoud tot plantage (Amst., 1935, orig. hcl. w. (very rare) photomontage dustwr. by F. DUPONT); I. EHRENBURG, Die heiligsten Güter (Berlin, 1931, orig. gilt cl. w. photomontage dustwr. by JOHN HEARTFIELD); F. GLADKOW, Neue Erde (Berlin, 1932, (rare) black and white photomontage limp boards); F.C. WEISKOPF, Zukunft im Rohbau. 18000 Kilometer durch die Sowjetunion (Berlin, 1932, orig. boards w. photomontage dustwr. by JOHN HEARTFIELD); S. TRETJAKOW, Den Schi-Chua (ibid., 1932, orig. cl. w. photogr. dustwr. by JOHN HEARTFIELD) and H. HAUSER, Feldwege nach Chicago (ibid., 1931, orig. boards w. photomontage dustwr. by G. SALTER).

- Generally in good condition; some usual defects. = Rare collection of fine early photomontage.

€ (250-350) 600
80 1174 Picasso P 80 1174 Picasso P
80 1174 Picasso P 80 1174 Picasso P
80 1174 Picasso P 80 1174 Picasso P
80/1174 Picasso, P. Linolschnitte. Introd. W. Boeck. Stuttg., G. Hattje, 1962, XIII,(1) textp., 45 col. linocuts and orig. cl. w. clothbacked board slipcase by P. PICASSO, obl. folio.

- Some sl. foxing in blank margins. Spine of slipcase sl. rubbed and stained.

= SEE ILLUSTRATION PLATE XXXV.

€ (700-900) 750
80 1175 Picasso P 80 1175 Picasso P
80/1175 Picasso, P. Toros y Toreros. Text L.M. Dominguin and G. Boudaille. N.pl. (Paris), Éditions Cercle d'Art, 1961, 30 textp., (141)p. w. num. (col.) (full-p.) ills., orig. dec. cl. and board slipcase, all after PABLO PICASSO, folio.

- Spine trifle browned; slipcase w. a few foxed spots.

€ (100-150) 170
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