80 1116 Photography Avedon R and Baldwin J

- Contents fine; owner's stamp of Gust Romijn on title-p. Covers vaguely fingersoiled along spine; spine-ends sl. rubbed/ trifle worn. Slipcase worn/ rubbed along extremities and sl. yellowed.

80 1119 Photography Blossfeldt K

80 1119 Photography Blossfeldt K

- Binding sl. dustsoiled.

= Cf. Parr/ Badger I, p.96 (1st ed., 1928; "one of the most striking books in photographic history").

80 1120 Photography Boersma P Mentzel V Toussaint D and Wessing K

80 1120 Photography Boersma P Mentzel V Toussaint D and Wessing K

80 1120 Photography Boersma P Mentzel V Toussaint D and Wessing K

80 1120 Photography Boersma P Mentzel V Toussaint D and Wessing K

- Wrappers sl. foxed; otherwise fine.

= Vivid photographic record of the strong rebellion against the destruction of the old Nieuwmarkt in Amsterdam, where the leftist municipal government had planned an underground line for the Amsterdam metro. Eventually there was such strong opposition by a significant part of Amsterdam citizens living in the area that the authorities cancelled further destruction/ construction for the Amsterdam metro in the city centre. Rare. Parr/ Badger III, p.68f; Giertsberg a.o., Het Nederlandse fotoboek, p.175.

80/1122 Photography China reconstructs Photographs 1952 1961

= This booklet showcases and glorifies the "success" of the revolution and subsequent effort to remake Chinese society, economy and culture, featuring portraits of workers, artisans, farmers and athletes, urbanized constructions and industrial factories, as well as art works from well-known artists.

80/1123 Photography Chinese Photograpy Photographie Chinoise 1964 no 3 6 1965 no 1 6 1966 no 1 and 2

80/1123 Photography Chinese Photograpy Photographie Chinoise 1964 no 3 6 1965 no 1 6 1966 no 1 and 2

80/1123 Photography Chinese Photograpy Photographie Chinoise 1964 no 3 6 1965 no 1 6 1966 no 1 and 2

80/1123 Photography Chinese Photograpy Photographie Chinoise 1964 no 3 6 1965 no 1 6 1966 no 1 and 2

80/1123 Photography Chinese Photograpy Photographie Chinoise 1964 no 3 6 1965 no 1 6 1966 no 1 and 2

- Apart from some unobtrusive defect, all fine.

= Rare publication with many (propagandistic) photographic reportages on Chinese everyday life. Many with loose table of contents in French or English inside.

80 1124 Photography Coppens M

- Very fine copy.

= Parr/ Badger II, p.190: "Martien Coppens was considered one of the more traditional postwar Dutch photographers (...). In 1958, however, he made a photobook for the paper company Lecturis based in Eindhoven, which spectacularly threw off his somewhat staid image. Much of the credit for this, though, must go to the graphic designer, Herman Rademaker, who fabricated a highly experimental design using photographs that Coppens had taken in the marshy region of De Peel, in Brabant. There, the burnt down trees and stumps - as Coppens writes in the book - had assumed the form of grotesque monsters". SEE ILLUSTRATION PLATE XXXIII.

80 1126 Photography Elsken E van der

- A few lvs. w. some tiny surface dam. spots. Dustwr. sl. creased and worn.

= Parr/ Badger I, p. 245: "Ed van der Elsken was the best known internationally of the Dutch photographers of the 1950s and 60s, due in no small measure to this book, which took the genre of the Dutch photonovel to a new level (...)."

80 1128 Photography Finkelstein N

80 1128 Photography Finkelstein N

80 1128 Photography Finkelstein N

80 1128 Photography Finkelstein N

80 1128 Photography Finkelstein N

= Comprises the book Etant donné Marcel Duchamp #5 (Paris, 2003, ills., orig. wr., 4to. Signed by N. FINKELSTEIN on htitle), 5 silver prints under passepartout depicting i.a. SALVADOR DALÍ, MARCEL DUCHAMP and ANDY WARHOL. The photographs were taken during a session in which Warhol photographed Marcel Duchamp.

80 1129 Photography Geven E

80 1129 Photography Geven E

- Lower joint splitting at top of spine; backcover sl. scratched.

80 1130 Photography Hassink J

80 1130 Photography Hassink J

= Parr/ Badger II, p.278. Series of photographs of (empty) boardroom tables of European multinational corporations. "The Table of Power is at once a completely objective book and a wholly subversive one. (...) the book's subversiveness emanates from its very objectivity. It presents the simple facts about a particular and powerful symbol of power, and by drawing our attention to it forces us to think about what these facts might represent and conceal - a large subject contained in a deliciously small package" (Parr/ Badger).

80 1131 Photography Isenfels P

- Dustwr. frayed. Otherwise fine.

= Cf. Derra de Moroda 1368 (6th ed.). Fine photographic studies of dancers in various surroundings outdoors.