736 - 1327 FINE and APPLIED ARTS, ART REFERENCE
= Published on occasion of the exhibition at the Fondation pour l'Architecture in Brussels.
Greeling, L. a.o. Matt Mullican. The City Project. Amst., De Appel, 1991, text booklet ((12)p., orig. wr.) and 18 col. postcards, together in orig. paper folder, des. by IRMA BOOM.
- Without the fold. dustwr.
= An issue of Kwadraatblad, a Dutch journal for graphic design, visual art, literature, architecture and music, published by Pieter Brattinga.
AND 1 other Kwadraatblad, des. by W. SPREEUWERS.
- Dustwr. sl. yellowed and worn/ sl. dam. at corners/ on edges.
= An issue of Kwadraatblad, a Dutch journal for graphic design, visual art, literature, architecture and music, published by Pieter Brattinga.
- Ringbinder sl. soiled; otherwise fine.
= A rich source, documenting exhibitions held at the museum from 1969-1970. Inluding the shows: Christo - Wrapped Floors (w. braided paper wr.), Jan Dibbets - Audio-Visuele Dokumentationen (w. a large fold-out leporello (200 cm) and a vinyl record "Afsluitdijk 1969", conveying the sound of driving a car), Fred Sandback - Installations, Tim Ulrich - Totalkunst and Ulrich Rückriem - Steine und Eisen.
- Stamp on verso frontwr. Wrappers sl. yellowed/ backwr. sl. foxed; upper joint splitting.
= On the Tokyo biennale of 1970, with contributions by i.a. Dietrich Albrecht, Carl Andre, Boezem, Daniel Buren, Christo, Jan Dibbets, Ger Van Elk, Kohi Enokura, Luciano Fabro, Barry Flanagan, Hans Haacke, Stephen J. Kaltenbach, Tatsuo Kawaguchi, Jannis Kounellis, Sol LeWitt, Yutaka Matsuzawa, Mario Merz, Katsuhiko Narita, Bruce Nauman, Panamarenko, Giuseppe Penone, Markus Raetz, Klaus Rinke, Richard Serra and Jiro Takamatsu.
- Backstrip cracking.
Lam de Wolf. Monumentaal en Dichtbij. Amst., Voetnoot, 2010, 258,(2)p., num. col. ills., loosely inserted DVD, orig. wr., 4to. - AND 17 others, i.a. JAN FABRE. Passage (Antw., 1997, (col.) ills., orig. cl., 4to); E. STEGEMAN a.o., Jan Roeland (Zwolle, 1997, (col.) ills., orig. cl. w. dustwr., 4to); WILLEM DE ROOIJ. Index (Bristol etc., 2016, (col.) ills., orig. wr., 4to) and M. JORDAN a.o., Everything, Always, Everywhere. Rafaël Rozendaal (Amst., 2017, col. ills., orig. wr.).
- Four ex-library copies; a few owner's entries; all vols. endpapers sl. foxed/ browned. Backstrip of 1929 loosening; bindings occas. trifle foxed; dustwrs. occas. sl. frayed.
= W.L. & J. Brusse 416. The binding of year 1929 (titled Ruimte) designed by VILMOS HUSZÁR (Ex/ Hoek p.126 and ill. 204). Contains illustrations of works by i.a. P. Zwart, Th. van Doesburg, P. Schuitema, J. Jongert, S.H. de Roos, C.A. Lion Cachet, G. Rietveld and E. Wichman.
= One of 150 copies of the regular edition. Personal Structures Art Projects Number 02.
- First/ final few lvs. and wrs. sl. browned.
Pinset, R. and D'Auriac, J. Histoire du portrait en France. Ibid., A. Quantin, 1884, (4),274p., 39 (helio-)engr. plates/ ills., contemp. gilt hmor., a.e.g.
- Partly sl. browned/ foxed.
AND 3 others, i.a. R. BAZIN, Les Oberlé (ibid., ±1900, col. plates, ills., contemp. gilt hmor., t.e.g., 4to) and P. DE NOLHAC, Fragonard (ibid., 1918, col. plates, contemp. gilt hmor., t.e.g.).
- A few scattered owner's stamps. Wrappers trifle frayed.
- Yellowed; paper brittle; 4 lvs. corners dam. Frontwr. and spine sl. frayed/ dam.
= Very rare catalogue for the exhibition held in Gebouw De Geelvinck, Amsterdam, in August 1936. The exhibition was meant as a counter-exhibition to the Art Olympiad that coincided with the games, and from which Josef Goebbels, the regime's propaganda chief, excluded Jews, leftists and purveyors of 'degenerate' art. The exhibition brought together over 250 works by 150 artists from 8 different countries, incl. works by Peter Alma, Robert Capa, Paul Citroen, Fré Cohen, Max Ernst, Hildo Krop, Chris Lebeau, Fernand Léger, Frans Masereel, Cas Oorthuys, Karl Schwesig, Charlie Toorop, August Tschinkel and Jan Wiegers. The show also included documentation, cartoons, photographs and drawings illustrating Nazi repression and manipulation of education, science, theater, literature, film and music. In response to intense pressure from German diplomats, the Dutch authorities insisted on the removal of 19 works of art from the 1936 show on the ground that they were insulting to Hitler. Further, when the show later travelled to Rotterdam, it was closed by the Dutch police after only a few days. Two versions of the catalogue were published: one with the 'insulting' works still included and another without them. This copy is the earlier version, including the works that were later removed, i.a. Tijdsbeeld 1934 by Harmen Meurs and 33 drawings by Carl Schwesig of his own torture by the SA in Düsseldorf, Drie dagen in de folterkamer. SEE ILLUSTRATION PLATE XXXII.
Manheim, R. (ed.). Haiku and Haiga. Moments in Word and Image. Four Centuries of Japanese Scroll Paintings from the Jon de Jong Collection. Bedburg-Hau, Stiftung Museum Schloss Moyland, 2006, 208p., English and German text, num. col. ills., orig. cl. w. dustwr., large 4to. - AND 3 others, i.a. E. TINIOS, Kawamura Bumpô, Artist of Two Worlds (Leeds, 2003, num. (col.) ills., orig. pict. wr., sm. folio) and T. SCREECH, Obtaining Images: Art, Production and Display in Edo Japan (Honolulu, 2012, num. (col.) ills., orig. cl. w. dustwr., 4to).
= Standard work.
= Standard work.