- A few sm. annots. and library stamps on title-p. and frontwr.
= SEE ILLUSTRATION PLATE XVI.
- Vaguely waterst. in upper corner. Frontwr. trifle foxed/ soiled and w. library stamp.
- No.5 frontwr. loose; no.1 some annots. on title-p. and spine splitting.
= With nice wrapper design somewhat reminiscent of 1920s/ 1930s Russian children's books. SEE ILLUSTRATION PLATE XVII.
= SIGNED in black ballpoint by the artist on first free endpaper.
Schoemaker-van Weeszenberg, M. a.o. Jan Schoonhoven Delft. Delft, Licht op Schoonhoven, 2015, 160p., richly illustrated, orig. boards, sm. 4to. Hillings, V. a.o. Zero. Countdown to Tomorrow, 1950s -60s. New York, Guggenheim, 2014, 242p., num. (col.) ills., orig. boards, 4to. Deinum, S. Dichter bij Siep. Sijbren Ridsert van den Berg (1913-1998). Leeuw., Wijdemeer, 2014, 384p., num. col. ills., orig. boards, folio. - AND 8 others, i.a. J.-C. MARCADÉ and M. TYL, Serge Charcoune monochromes (Paris, 2018, ills., orig. boards, sm. 4to).
= Arntzen/ Rainwater E133: "An authoritative dictionary (...). Based on original research. Good bibliographies; excellent illustrations."
AND 2 others, i.a. M. SEUPHOR, De abstracte schilderkunst in Vlaanderen (Brussels, 1963, num. (tipped-in)(col.) plates, orig. hvellum, slipcase, large 4to).
= Arntzen/ Rainwater E133: "An authoritative dictionary (...). Based on original research. Good bibliographies; excellent illustrations."
= Contains a catalogue raisonné of his drawings and graphic art.
AND 3 others, i.a. 2 on French art, i.a. F. ROBICHON, L'Armée Française. Vue par les peintres 1870-1914 (ibid., 1998, richly illustrated, orig. cl. w. dustwr., obl. 4to).
= One of 50 numb. copies SIGNED by the artist and w. "original sheet with a pair of leaves collected in 1975 for the sun and shadow-leaf project" (not present in our copy). Without the matching cl. slipcase.
Pelsers, L. (introd.). Sjoerd Buisman. Sculpturen/ Sculptures. Enschede, Rijksmuseum Twenthe, 2002, 112p., num. (col.) photogr. ills., orig. blindst. boards, 4to.
- Spine sl. sunned. Contents fine.
Alphen, E. van. Ronald Ophuis. Zurich, JRP/ Ringier, n.d. (2008), 146,(6)p., (double-p.) (full-p.) col. ills., orig. wr., 4to.
= With dedication of the artist to ARMANDO on title-p.
AND 8 others on sculpture, i.a. L. PELSERS a.o., Piet Tuytel. Objecten 1980-2005 (Rott., 2005, ills., orig. boards, 4to) and P. HEFTING, Cornelius Rogge. Beelden. Een overzicht (Enschede, 1999, ills., orig. buckram, obl. 4to).
- Partly sl. wrinkled, caused by damp (not visible). Wrapper sl. dam. along extremities; back of wr. mouldy.
= SIGNED and with DEDICATION by the author "Arno Breker. Herr Armando in Erinnerung am 1. August 72".
Castieau-Barrielle, T. Amadeo Modigliani. Courbevoie, ACR Édition, 1987, 235p., num. (col.) ills., orig. giltlettered cl. w. (sl. discol.) dustwr., 4to. Ansenk, E., Wiesinger, V. a.o. Alberto Giacometti. Rott. etc., Kunsthal Rotterdam etc., 2008, 176p., num. (col.) (photogr.) ills., orig. boards, large 4to. - AND 5 others, all richly illustrated, all (near) fine, i.a H. SCHEERDER, Gijs Jacobs van den Hof 1889-1965. Beeldhouwer (Overveen, 1995, orig. wr.) and U. BERGER and J. GABLER, Hundert Jahre Bildgiesserei H Noack (Berlin, 1997, orig. wr.).
- Sl. discoloured spot on frontcover; slipcase restored.
AND 2 others, i.a. P.A. SCHEEN, Lexicon Nederlandse Beeldende Kunstenaars 1750-1880 (The Hague, 1981, num. (col.) ills., orig. cl., large 4to).
- Browned. Sl. rubbed along extremities.
Munari, B. Discovery of the square. New York, G. Wittenborn Inc., 1965, 84,(4)p., num. ills., orig. wr., 8vo.
- Binding foxed/ stained; sm. tear in frontcover.
- Fine. = Oculi. Studies in the Arts of the Low Countries, vol.12.